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SAN FRANCISCO–Warner Music Group CEO Edgar Bronfman, Jr. thinks there is still a big place in the world for much-maligned major record labels.

“The value that we have is both on the editorial side, and on the marketing and promotion side,” Bronfman said in a panel at the Web 2.0 Summit on Thursday afternoon, “those channels are getting harder, not easier.” In other words, it was an argument very similar to the one that newspapers and magazines have made in justifying their place in an industry that’s getting flooded by scrappy bloggers–big music labels provide the quality and experience.

Even in the face of In Rainbows, the label-ditching, revolutionary effort from Radiohead, he said he hasn’t changed his mind. “There will be different models (as opposed to labels, particularly for artists or bands who have built up a long and distinguished career, whose products don’t neccessarily need marketing or promotion, whose editorial is going to go out unfettered, but there are very, very few of those,” Bronfman insisted. “It’s getting harder to build a multi-year, certainly a multi-decade career, than ever before.”

Bronfman shared the stage with moderator and conference host John Battelle, and co-panelist Chris DeWolfe, co-founder and CEO of MySpace. Bronfman’s Warner Music Group, along with each of the other major labels, has taken a financial stake in MySpace Music, the News Corp.-owned social network’s ambitious retail and streaming hub.

MySpace Music, a sponsor of the conference, distributed free CDs to attendees subtitled “The Last CD You Will Ever Get.”

DeWolfe, notably less loquacious than Bronfman on the panel, said that there have already been 80 million playlists created with MySpace Music and that over five million bands are on the social network. Big brand advertisers, like Toyota and McDonalds, are on board. “The obvious yardstick, long-term, for success, is profitability,” DeWolfe said. “We started this business just like we started MySpace, to become profitable very quickly.”

He said that MySpace Music intends to be “a full 360 model,” with “download revenue streams, ringtone revenue streams, tickets, (and) merchandise.”

Bronfman said that Warner Music Group is also adopting a “360″ strategy in the face of a need to adopt more solid revenue streams. “Every new artist we sign, we sign now with rights in all their revenue streams: ticketing, touring, merchandising, sponsorship,” Bronfman said. “We’re only signing artists that way and we now have over a third of our current roster signed to 360 rights.”

“360″ deals rose to fame last year at Warner’s expense–Madonna left the label to adopt a 360 contract with concert promoter Live Nation.

Battelle, a seasoned devil’s advocate, repeatedly prodded the two into talking about Apple’s iTunes, which remains the overwhelming frontrunner in digital music. Both Bronfman and DeWolfe spoke about it with a mix of reverence and dismissal.

“Apple’s done a phenomenal job,” Bronfman said when Battelle asked him to provide his honest opinion of the Steve Jobs-helmed company. “It’s true, it’s really true, what is remarkable and why you have to give them so much credit is (that) no one has managed to pull it off. No one has been able to come up with a sexy device that consumers want, that has an interface that is seamless, that hooks up with a service that gives them the content they wanted.”

“I don’t really think iTunes has ever been about community,” DeWolfe said when asked if he was concerned about it as a competitor. “I think they’re focused on selling devices, and that’s why I don’t think they’re competitive to us.”

Early on, Battelle attempted to push out some details about the widespread reports that MTV executive Courtney Holt would be joining MySpace as the head of MySpace Music. Neither DeWolfe nor Bronfman would cough anything up.

“It’s actually been a difficult position to fill because there’s so many variables…we’re looking for someone that loves music, understands music, has been in the music industry but understands technology and understands user experience,” DeWolfe said. He said they interviewed about 40 people for the job. “We’ve only made one offer, and we’re very confident that we’ll be able to make an announcement in the near future.”

Read more here:
Warner’s Bronfman, MySpace’s DeWolfe talk music

Music jukebox and Web browser mash-up Songbird has begun to pull away from the beta gate. In its first release candidate for Windows, Mac, and Linux, the Gecko-powered browser aimed at audio junkies locks down a final list of features.

Songbird mimics the iTunes interface, but rolls in Firefox-powered Web surfing and Web-based music discovery.

(Credit: Songbird)

The improvements over the previous release, version 0.7, make changes both important and minor. Absolutely the most noticeable is that the program runs and feels faster. Responsiveness had been an issue, too, but this release candidate marks a strong improvement in that area as well.

The overall look of Songbird hasn’t changed, but a lot of the must-have UI features are finally in place. Keyboard shortcuts have been added, as has a comprehensive list of them accessible from the Help menu. The right-click accessible Context menu and the File menu from the Menubar now allow users to open up the folder location of a track. Column headings properties are now easier to manage, too. New buttons control toggle individual panes, and smart playlists can be used as rules within other smart playlists.

With the exception of that playlist feature, which is unusual for jukebox playlist behavior, these changes make Songbird’s interface as familiar-feeling as possible.

Audiophiles should appreciate that Songbird has switched over to Gstreamer as their playback engine across all platforms. This means that Songbird can play MP3, FLAC, and Vorbis files on all platforms, WMA tracks on Windows, and AAC on both Windows and Mac.

Also of note, the last official version of Songbird for PowerPC Macs was v0.6.1. According to the developers, this was done to save on developer resources.

I’ve been playing around with Songbird for about a year now, and it’s great to see this innovative program come as far as it has. Although I’m curious to see how it adapts to being forever tied to Firefox improvements, that’s also an ongoing concern for that other multi-use Firefox mash-up, Flock.

Throw in these drastically different Firefox-based browsers with the current browser battle going on between Internet Explorer, Chrome, Safari, Opera, and Firefox itself, and you’re looking at a wide range of quality choices.

Read more from the original source:
Songbird taxis to the runway

Hot Topic, a clothing and accessories retailer catering to those interested in alternative music, announced Wednesday that it has launched ShockHound, the company’s first online music site offering millions of MP3s, band merchandise, music videos, and editorial content.

According to Hot Topic, Shockhound offers tracks from major record labels, like Universal Music Group, Sony BMG, Warner Music Group, and EMI Music, as well as independent labels. The company also says that artists will be able to upload and sell their own music directly to users without requiring a record label to act as the broker between Shockhound and the artist.

“Our goal was to create an authentic, online experience of music discovery,” says Betsy McLaughlin, CEO of Hot Topic. “A place where fellow music lovers can come together and explore, share their likes and dislikes, read the latest music news, and enjoy exclusive content on their favorite artists.”

One of the unique features ShockHound will offer is its editorial section. The site will feature reviews, music news, interviews, original programming, and music videos that are controlled by the editorial team on the site.

Although Hot Topic is well-known for its alternative rock products, ShockHound features music from all genres, so the service definitely has its sights set on competing with iTunes and Amazon.com’s MP3 DRM-free store. But unlike iTunes tracks, each ShockHound song is DRM-free.

For those interested in buying tracks from Hot Topic’s service, each song retails for 99 cents and can be downloaded on the ShockHound page.

Read more here:
Hot Topic launches DRM-free music service

Just after it announced a distribution deal with high-profile social music service iLike, digital music distribution company TuneCore has another deal to announce: it’s raised $7 million in venture funding from Opus Capital.

The company works like this: musicians upload their music, and TuneCore handles the distribution to digital outlets like iTunes, Amazon MP3, and Rhapsody. TuneCore does not take any cut of the royalties; it makes money from an up-front fee for uploading an album. The funding from Opus will be used for marketing and product development, including a streaming music player that TuneCore plans to launch within a month.

TuneCore says that between 150 and 250 albums are released every day through the service, from unsigned indie bands to hot acts like Jay-Z, Moby, and MGMT.

Excerpted from:
Music distributor TuneCore gets $7 million

Universal Music Group has licensed its music videos to Kiwibox, a social-media site for teens that relaunched in August after quietly existing since the late ’90s.

Under the terms of the agreement, Universal’s music videos will begin being distributed on the “KiwiboxTV” video portal before the end of the year. Universal’s labels and artists will receive a cut of ad revenue in compensation.

“Music remains one of the most important outlets of teen expression, and Kiwibox has long been a leader in promoting artists to its rapidly expanding community, ” CEO Lin Daisaid in a statement. “This (Universal) partnership validates our long-standing relationship with the music industry and commitment to providing valuable content for teens.”

Kiwibox’s slant is that it encourages members to create videos, articles, and other content for the site; the best creations are featured in an online “magazine.”

Universal appears to have embraced a wide distribution strategy when it comes to social media. Its catalog is already available on a number of social networks and youth-focused sites, including Imeem, and its U.K. arm sponsored an original series on AOL’s Bebo. The company has taken a stake in social site Buzznet, and joined other major labels in backing MySpace Music.

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Universal Music videos come to teen site Kiwibox